As the physical and mental spaces we inhabit change, so do the ways in which I work. As technology pushes the boundaries of what is capable in the digital realm, the boundaries of what spaces we inhabit and how we inhabit them are blurred. Just as I exist in multiple spaces, so does my work. My work exists digitally, in print, in physical three dimensions, with respect to time, or in some combination. This versatility provides both inspiration and process. Over the past several hundred years, the way in which we view change, specifically technological change, bounces from complete horror to utter elation. The truth of what the next thing will bring lies somewhere in the middle, but it is this ambiguity that I find myself expressing.

Working with identifiable imagery while simultaneously merging with other, more obscure imagery, creates a purposeful ambiguity while also existing in several spaces. This creates a way to address a variety of issues spanning from social to economic to the completely visceral. This merging continues outside of the visual and into process and medium. Merging technically advanced processes and mediums like rapid prototyping and 3d modeling with more traditional processes again lends itself to ambiguity and allows the work to physically exist in several spaces which guides the mental spaces I create with merged imagery.